Carol Moldaw Broadsides

Love Song and Sheaf of Studies.jpg
Love Song 1.jpg
Love Song 2.jpg
Love Song 3.jpg
Sheaf of Studies 1.jpg
Sheaf of Studies 2.jpg
Sheaf of Studies 3.jpg
Love Song and Sheaf of Studies.jpg
Love Song 1.jpg
Love Song 2.jpg
Love Song 3.jpg
Sheaf of Studies 1.jpg
Sheaf of Studies 2.jpg
Sheaf of Studies 3.jpg

Carol Moldaw Broadsides

from $20.00
Broadside:
Quantity:
Add To Cart

Our good friend, the marvelous poet Carol Moldaw, has a limited number of these two broadsides for sale. They were created by printers in New Mexico and California, and St Brigid Press is now hosting the sales of these works. All broadsides will ship from New Mexico.


“Love Song,” by Carol Moldaw

  • Design and letterpress printing by Arlyn Nathan (NM), 2018

  • Edition of 100 unnumbered broadsides

  • Size: 9” x 12”

  • Collected in Beauty Refracted (Four Way Books, 2018)

  • $20

“A Sheaf of Studies in Pen and Ink (No. 1)” by Carol Moldaw

  • Design and letterpress printing by Jungle Garden Press (CA), 1998

  • Edition of 64 numbered and signed broadsides

  • Size: 11.5” x 13” (approx)

  • Collected in Chalkmarks on Stone (La Alameda Press, 1998)

  • $25


Carol Moldaw is the author of Beauty Refracted (Four Way Books, 2018) as well as well as five other books of poetry, including The Lightning Field, which won the FIELD Poetry Prize (Oberlin College Press, 2002) and a novel, The Widening (Etruscan Press, 2008). Her work has been translated into Turkish, Chinese, and Portuguese. Moldaw is the recipient of a Lannan Foundation Marfa Writer’s Residency, an NEA Creative Writing Fellowship, and a Pushcart Prize, and her work is published widely in journals, including AGNI, Antioch Review, Boston Review, Chicago Review, Conjunctions, Denver Quarterly, FIELD, The New Republic, The New York Review of Books, The New Yorker, The Paris Review, Parnassus, Threepenny Review, and Triquarterly. She lives in Santa Fe, NM.

Several different forms of maturity — emotional, artistic, religious — come together in Moldaw’s poems, which repeatedly achieve lyric junctures of shivering beauty. Her vision is like that of a seasoned naturalist observing the play of life’s impulses over the crust of the earth.
— The New Yorker